4-Color to 35-Millimeter: The Amazing Spider-Man 2


Sony wanted very much to give Spider-Man his own big cinematic universe the way Marvel Studios was doing with their Avengers characters, but they forgot to actually make a good movie in the process. The great superhero movie rewatch suffers through an overstuffed mess that is way too reminiscent of Batman Forever and Spider-Man 3 for anyone’s taste: The Amazing Spider-Man 2.

An excerpt:

Let’s start with this, because it’s my biggest problem with this movie: Gwen Stacy dies in the end. On the one hand, yes, she died in the comics. Hell, it’s one of the four or five most famous deaths in a comic book. In many ways the character is better known for having died than for what she was when alive, which is too bad, as she was actually a pretty damned awesome character. That’s why her death was so effective, in fact. (Thank goodness for Spider-Gwen, which mines Marvel’s copious use of alternate timelines to give us the heroic Gwen we all deserve without actually reversing yet another character death.)

The thing is, that’s not a good enough reason to kill her off in this movie. Yes, it happened in the comics. You know what else happened in the comics? Peter was bitten by a radioactive spider, not a genetically engineered one. Peter’s father and mother were secret agents, his father wasn’t a scientist who experimented with spiders. Peter entered a wrestling competition and let a thief steal the receipts, not a guy robbing a bodega, and that guy killed his uncle while robbing their house, not out on the street. Max Dillon was a janitor, not an electrical engineer. The Osborns don’t have a genetic disease, and Norman was the one who became the Green Goblin first. Dr. Kafka’s a compassionate woman not a psychotic man with a stupid accent. For that matter, Gwen died without ever knowing that Peter was Spider-Man.

They didn’t feel the need to pay attention to any of that other stuff, so why be beholden to superhero comics’ most famous fridging?

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