An excerpt:
As for Neelix, he’s not nearly alien enough. From the moment he finds out what the elogium is, up until his final scene with Kes, Neelix says a whole lot of things about parenthood, including some really hoary and stupid gender-role distinctions (thankfully, Tuvok punctures these pretty thoroughly). If those exact same lines of dialogue were given to a middle-class suburban white guy in 1950s America, not a single word would change. That’s a spectacular failure of imagination.
