Patty Jenkins, Gal Gadot, and Chris Pine all return from 2017’s Wonder Woman and give us a spectacularly frustrating movie that takes place in 1984 for no compellingly good reason. Good performances by Gadot, Pine, Kristen Wiig, and Pedro Pascal are overshadowed by a horrible script. The great superhero movie rewatch returns to look at Wonder Woman 1984.
There are three aspects of this movie that show up its major difficulties, consisting of the two best things about it and the absolute worst thing about it.
The two best are both related to one very important aspect of Diana’s character: she is a hero. This is reemphasized by the lesson that Antiope teaches her in the flashback at the top of the movie. She isn’t just a warrior, she’s a hero. Too often Hollywood superhero movies forget the second half of that word, but it’s very much a part of Diana. This is best seen in two distinct places: in the White House fight scene, where she takes great pains not to inflict major harm on the Secret Service agents who have been assigned to Lord pretty much against their will, and then in the end where it’s not might that wins the day but an appeal to humanity and compassion. (It’s not particularly realistic that everyone recants their wishes, but the metaphor and message are important enough and satisfying enough from a story perspective that I’m willing to forgive it.)
But then we have the fact that Steve Trevor’s ghost takes over some random dude’s body and life and nobody ever comments on it! Diana’s wish has, for all intents and purposes ended this guy—who never even gets a name—and she never once expresses a micron of concern for him. This is, frankly, despicable behavior, especially given that Diana and Trevor sleep together, so she’s now also raped this person. The actions are appalling enough on their own terms, but to have it be this character in particular is a disastrous misreading of who Diana/Wonder Woman is not just in her previous movie, but in the rest of this one.