Really, that’s all there is to say about the main plotline. It’s just a vehicle for Picardo to do a double act with himself. (The actor himself joked that, “I achieved a lifelong ambition of working with an actor who I’ve admired.”) That and we get more of Barclay and Troi, which is never a bad thing. Dwight Schultz is unusually subdued in this one—though, to be fair, he can hardly get a word in—and it’s nice to get a Barclay story that isn’t about his neuroses. Barclay here is just being a good person and a good friend. And Marina Sirtis is a delight—I especially like her coming out and calling both the EMH and Zimmerman jerks. It’s not very professional, but it was definitely deserved. And in general, Troi does good work here. The script is excellent, full of snappy patter and great one-liners for both of Picardo’s characters.