The plot itself is a bit awkward to watch, as it dances on the edge of tiresome heteronormativity, but manages not to cross the line. So much of what happens can be seen as playing for cheap homophobic laughs, but the script and performances stop short of that, thank goodness. Ranek’s kissing Seven could have been played as being okay normally, but isn’t because Seven is really a dude, but in truth, the kiss was unwelcome because neither the EMH nor Seven would be remotely interested in a romantic relationship with the guy who took them prisoner, sexual preference notwithstanding. Ranek’s kiss was a violation regardless—and, to his credit, he apologized and backed off the nanosecond he realized he misread the situation. Additionally, Jaryn’s lack of interest in Seven has less to do with what gender Seven presents as and more to do with her unrequited desire for Ranek.