We find out why Crusher hid her kid from Picard and why Worf is running an op with Raffi Musiker, and while the latter is fabulous — every scene with Worf and Musiker is gold — the former is problematic to say the least. Nonetheless, we get some excellent forward motion and a greater linking of the two plots. My review of Star Trek: Picard‘s “Seventeen Seconds.”
The Titan portion of the plot gives us a chance to explore the Picard-Riker dynamic, and in particular how it’s changed. We start with the flashback to Picard and Riker drinking a toast to the latter’s kid (complete with Jonathan Frakes’ hair dyed brown—but his beard more salt-and-pepper, a nice touch—and both Frakes and Sir Patrick Stewart digitally de-aged in that manner that makes their eyes look incredibly sunken…). At this point, the new dynamic is still, well, new, plus Riker’s off on his own ship now. But they’re not captain and first officer anymore, and in the present we see that the pair of them aren’t always on the same page.
More to the point, this is the latter-day Picard that we’ve seen on this show for a couple years now whose super-power as he’s gotten older is to royally piss off everyone who’s ever cared about him. And the admiral does a lovely job of doing that, mostly by bullying Riker into fighting the Shrike, even though it’s a fight Riker knows they can’t win. More to the point, they have to protect this crew that they stupidly endangered with their dumbshit off-book mission. And in the end, when the Titan has had the shit kicked out of it thanks to Vadic’s clever use of a portal weapon (like the one that destroyed the Starfleet Recruitment Center), Riker kicks Picard off the bridge.