Star Trek: Voyager Rewatch: “Collective”

The good news is that we’re introduced to Icheb and the Borg Kids (totally the name of my next band), who are a good addition to the cast. The bad news is that the episode itself is pretty terrible. The Star Trek: Voyager Rewatch meets an itty-bitty “Collective.”

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There’s just nothing to say here. Every beat is predictable and we get nothing to ameliorate the predictability. Seven’s actions with the Borg are just her repeating what we’ve seen her learn since she came on board, Ryan Spahn’s First is a tiresome whiny teenager, and the other four don’t really make much of an impression in their inaugural appearance (though Manu Intiraymi shows signs of the interesting character he’ll become).

Star Trek: Voyager Rewatch: “Tsunkatse”

UPN got their hands on WWF Smackdown, and to promote it, they had Dwayne Johnson guest star on Voyager — except this was back when he was going by “The Rock” and imitating Spock’s eyebrow trick on wrestling shows. However, they also got DS9 veterans J.G. Hertzler and Jeffrey Combs, who are fabulous as always. The Star Trek: Voyager Rewatch has a hard time pronouncing “Tsunkatse.”

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Jeri Ryan and Tim Russ are both superb, as always. Russ in particular does excellent work with Tuvok as good sounding board: from his semi-amused pointing out that the silence wasn’t awkward to his more direct pointing out that dying for entertainment isn’t really a viable alternative to killing for entertainment to his final reminder that remorse and guilt are very human. And Ryan plays Seven’s struggles with her usual restrained emotion.

Star Trek: Voyager Rewatch: “Memorial”

The crew relive a three-hundred-year-old massacre against their will, and it results in some rather unpleasant side effects, and an interesting colloquy on remembrances of awful events. The Star Trek: Voyager Rewatch is attacked by a “Memorial.”

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I want to single out Ethan Phillips for praise here, because he particularly plays Neelix’s PTSD supremely well, from his rapid-fire nervous chopping vegetables, to his losing it at the slightest noise, to his asking Seven about how she deals with what she did as a Borg, to his impassioned plea to not shut down the obelisk. It makes sense because, as established way back in “Jetrel,” Neelix’s own background is very similar to that of the Nakan, and as shown in that same first-season episode, Phillips can really bring it when dealing with his character’s trauma.

Star Trek: Voyager Rewatch: “Virtuoso”

The EMH sings, performs concerts, acquires a fan base, falls in love, resigns, has his heart broken, and is reinstated, all in an episode that really should be better than it is. The Star Trek :Voyager Rewatch sings like a “Virtuoso.”

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There’s nothing redeeming about the Qomar. From the minute we first see them as the show opens, they’re obnoxious, condescending, arrogant, high-handed, and insulting. They fulfill many of the most negative stereotypes of science fiction fans, and then they double down on it by throwing in more negative stereotypes, from the hero worship to the tricks to get close to the famous person to the fan mail.

Star Trek: Voyager Rewatch: “Blink of an Eye”

Voyager gets stuck in orbit of a planet where time moves much much faster, and the “Sky Ship” becomes a major part of the world’s mythology over the centuries while Janeway and the gang try to get unstuck. The Star Trek: Voyager Rewatch sees civilizations rise in the “Blink of an Eye.”

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But the episode is sold on some excellent quick-and-dirty character development by scripter Joe Menosky. We see several sets of two people—the shaman and the guy making sacrifices, the protector and his erstwhile mentor, the two guys at the telescope, and the two astronauts—who create instant, lasting impressions. These are people we come to care about, even though they’re all dead within seconds of our encountering them.

Star Trek: Voyager Rewatch: “Fair Haven”

It’s Irish stereotypes galore! Top of the mornin’ to ya, faith and begorrah, and may you get to heaven half an hour before the devil knows your dead. And if that made you cringe, just wait until you watch this crap. The Star Trek: Voyager Rewatch is appalled by “Fair Haven.”

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The setting is just revolting, indulging in all kinds of tired stereotypes, most of which have their root in racist assumptions made about Irish immigrants in the late nineteenth and early twentieth centuries here in the United States: drunken, lazy, philandering, etc. (Plus, of course, they were Catholics, coming to a country dominated by Protestants, an issue faced by Italians who immigrated to the U.S. as well.)

Star Trek: Voyager Rewatch: “Pathfinder”

It feels a little bit like a Next Generation episode, given the focus on Reg Barclay and the guest appearance by Deanna Troi, but it’s also very much a Voyager episode, as we get the biggest status quo change on the show in quite some time. The Star Trek: Voyager Rewatch checks in on the “Pathfinder” Project.

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Those two elements combine to make this an excellent Star Trek episode, because it sets Voyager in a place it rarely goes: within the history and setting of the greater Trek universe. This is only the third time Voyager has made contemporary contact with the Alpha Quadrant (caveat necessary thanks to “Eye of the Needle”), and of the other two, one happened off camera (the EMH’s report to Starfleet in “Message in a Bottle”) and the other was one-way: letters from home (“Hunters”) and an encrypted message from Admiral Hayes (“Hope and Fear”). This is real contact that, unlike the others, has the promise of more.

Star Trek: Voyager Rewatch: “One Small Step”

It’s a love letter to the space program that is sentimental as all hell, but its heart is solidly in the right place, and has great performances by Jeri Ryan, Robert Beltran, and guest Phil Morris elevate it to excellent. The Star Trek: Voyager Rewatch takes “One Small Step.”

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This episode is about as subtle as a nuclear explosion in its message about what Star Trek is all about, but given the importance of the message, I’m willing to forgive it. Star Trek has been incredibly influential on the space program—NASA’s employees from the 1970s onward are well-stocked with people who grew up watching one or more of the Trek shows, and Nichelle Nichols in particular leveraged her status as a Trek actor to do a ton of outreach to get more women and people of color into the space program throughout the 1970s and 1980s—so this love letter to the space program is particularly apt.

Star Trek: Voyager Rewatch: “Dragon’s Teeth”

Voyager stumbles into a subspace corridor, lands on a radiation-choked world, and comes across some 900-year-old aliens. Plus, the Robert Knepper moment comes full circle ten years later. The Star Trek: Voyager Rewatch chews on “Dragon’s Teeth.”

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Welcome aboard. I started doing Trek rewatches exactly ten years ago yesterday, with the Star Trek: The Next Generation Rewatch debuting on the 9th of May 2011. A month later, when I did the rewatch of “Haven,” I noted with surprise that the character of Wyatt Miller was played by Robert Knepper, an actor I knew well from his later roles in things like Carnivale and Prison Break, and had never realized that he was on TNG back in the day with a mullet.

As the rewatch went on, I found this happening with other actors (Brenda Strong in “When the Bough Breaks,” Anne Ramsay in “Elementary, Dear Data,” Teri Hatcher in “The Outrageous Okona,” etc.), and the “Robert Knepper moment” became a thing in my rewatches on this site.

And now we’ve come full circle, because here we are a decade later, and we have a Robert Knepper moment with the actual Robert Knepper! After spending ten years using my shock at his appearance in “Haven” as the basis of a running gag about being surprised by actors showing up, he surprises me again by showing up here! Knepper plays Gaul.

Star Trek: Voyager Rewatch: “Riddles”

It’s flowers for Tuvok! Kind of. It’s an acting exercise for Tim Russ, at which it succeeds quite admirably, and is also a superb directing debut for Roxann Dawson. But the episode has its issues, also. The Star Trek: Voyager Rewatch solves some “Riddles.”

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It’s not really a surprise watching this episode to learn that Roxann Dawson has become a heavily in-demand director to the point where she hasn’t done any acting work in a decade, but has more than fifty directorial credits in that same span. In her inaugural turn behind the camera, we see excellent use of closeups, strong performances from all the actors, and some beautifully framed shots. This feels like one of the better outings from Jonathan Frakes or Winrich Kolbe, which is high praise indeed.